Blog Archives

Distressed Town Centres – Nick Broad

Name Nick Broad Email nick@thebuskingproject.com Subject Distressed Town Centres Message I’m sure you’ve heard about the High Street Taskforce looking to rejuvenate our town centres: https://www.bbc.co.uk/news/business-25147673 I thought now might be the perfect time to show a united front on

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We’ve added a Pintrest NASAUK board!

https://www.pinterest.com/nasauk/

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Keep Streets Alive Camden

  Thursday October 24th: ably supported by the Citizen’s Kazoo Orchestra, Bill Bailey does his finest impression of Billy Bragg in support of Keep Streets Live in Camden!   https://www.youtube.com/watch?v=W1_uEbGJtnY

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Managing high street change through silliness

by Roger Hartley, BOSI Managing high street change through silliness

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Here’s a really cool site – well worth checking out. Busking Lives!

THE BUSKING PROJECT www.thebuskingproject.com   WHAT’S THE IDEA? We want to live in a world where artists are encouraged to beautify their cities, and where you can see a great live show on a local street corner.   We’ll show

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John Fox’s presentation at THE GREAT OUTDOORS, 9 October 2012.

Members of Mission Control attended The Great Outdoors on 12 &13th Oct, at the Centre for Alternative Technology, Machynlleth. As part of the Conference we were fortunate to greet John Fox’s presentation, here’s the text of John’s speech (Thank you

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Letter to a Young Artist – John Fox, Lanternhouse, Ulverston, 10th March 2012, FLOI-12

At the Lanterhouse we were delighted that John Fox gave us his Letter to a Young Artist. After his speech, John,  Dan Fox and Sue Fox and the band played live and led us in Cumbian folk dancing. John’s speech

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Street arts reach the places others fail to reach – Liz Pugh

Street arts reach the places others fail to reach: we make theatre in the street and on the pavement, we make magic in the castle or the car park, we make music around the town square or the city centre,

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Chapter 1 Key concepts – Paul Miskin

Chapter 1 Key concepts   As preliminary tactic concepts underlying ‘Street Theatre’ will be examined. The procedure will be to seek rather than prescribe definition.  This will help indicate the field of enquiry and introduce the analysis of the distinctive

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Street Theatre it’s role in contemporary society and singularity as a vehicle of expression – Paul Miskin

Street Theatre it’s role in contemporary society and singularity as a vehicle of expression. Paul Miskin Thursday, 29 August 2002 `Hello and in case I don’t see you good afternoon good evening and goodnight`. These are the opening words of

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